 |
| Michael Pearce Donley, Bill Arnold, and Bob
Stromberg. |

Early in 1995, Bill
Arnold, Michael Pearce
Donley, and Bob Stromberg,
three successful solo performers who admired each other's work,
gathered over coffee, never knowing the full impact the caffeinated
brew would have on their future.
They decided to write
something they could perform as a trio. Something fun, something unusual, something that would make people laugh so hard they'd snort and embarrass themselves. With that idea--and nothing on paper--they
booked a performance for six weeks later at a local church.
Using Arnold's
magic and comedy, Donley's original music, and Stromberg's physical
humor, the three put together a show with elements of slapstick,
vaudeville, and a touch of audience involvement. They used original
songs, parodies and their unique chemistry to build a performance
that they hoped would give audiences a night at the theater unlike
any they had experienced before.
After its first performance,
the trio contacted Bill Partlan,
the Artistic Director of the Cricket Theatre. Partlan saw the show
and immediately booked it for the upcoming season at the Cricket.
With a little polishing, the show opened in 1996, and became the
biggest hit in the theater's 26-year history.
Somewhere in one of those
packed houses was Dennis Babcock,
an independent theater producer and former General Manager of the
Guthrie Theater. He had been invited to attend, and was impressed
with the performance. He asked about future plans for the show and
was told, "Well, that's why we invited YOU." Dennis signed on as
producer, Triple Espresso,LLC was formed, and its first production
opened to rave reviews and packed houses at the Music Box Theatre
in Minneapolis in the spring of 1997.
It soon became clear that the show had the potential to go far beyond
one theater in Minneapolis. The Triple Espresso team dreamed of playing several cities simultaneously, but the specialized skills of the authors made it difficult to cast with other performers. After searching through their collective network
of showbiz friends, in 1998, they identified three multitalented men and put them through
a long, arduous—and often hilarious—training process. Since then,
over thirty accomplished actors have been hand-picked and trained
in the art of being Buzz Maxwell, Hugh Butternut or Bobby Bean.
Triple
Espresso is continuously honed by the authors to make
it funnier, smarter, and more entertaining than ever. The show has
carved out a unique niche in the entertainment spectrum: its irresistible
humor crosses generations, and it's as funny the fifth time as the
first.
In the past fourteen years, Triple Espresso has entertained over 1.7 million people in 45 cities in 6 countries in 3 languages (English, German and Flemish). The show continuously ran in Minneapolis and San Diego for over a decade. It has also played in Chicago, Seattle, Milwaukee, Dublin, London, Ghent, Munich, Berlin, Denver, Cleveland, St. Louis, Tulsa, Phoenix, Atlanta and many other cities.
It's amazing what a few cups of coffee can
do.
Places We Have Played
| Minneapolis, MN* |
Music Box Theatre |
| San Diego, CA** |
Lamb Players Theatre, Hahn Cosmopolitan Theatre & Horton Grand Theatre |
| Chicago, IL |
Mercury Theatre |
| Madison, WI |
Madison Repertory Theatre |
| Sarasota, FL |
Asolo Theatre |
| Seattle, WA |
The Performing Studio |
| Providence, RI |
Providence Performing Arts Center |
| Springfield, MA |
City Stage |
| Albany, NY |
Capital Repertory Theatre |
| Milwaukee, WI |
Marcus Center for the Performing Arts |
| Portland, OR |
Portland Art Museum |
| Dublin, Ireland |
Andrews Lane Theatre and various tour locations |
| Des Moines, IA |
Temple for the Performing Arts |
| Portland, ME |
Portland Stage Company |
| London, England |
The Arts Theatre |
| Cincinnati, OH |
Ensemble Theatre |
| St. Jacobs, Ontario |
Schoolhouse Theatre |
| Detroit, MI |
Gem Theatre |
| Denver, CO |
Ricketson Theatre, Rattlebrain Theatre |
| St. Louis, MO |
Grandel Theatre |
| Cleveland, OH |
Hanna Theatre |
| Tulsa, OK |
Liddy Doenges Theatre |
| Green Bay, WI |
Weidner Center for the Performing Arts |
| Cedar Rapids, IA |
Theater Cedar Rapids |
| Los Angeles, CA |
Hermosa Beach Playhouse, El Portal Theater |
| Gent, Belgium |
Capitole Theater |
| Antwerp, Belgium |
Stadsschouwburg |
| Austin, TX |
The State Theatre |
| Indianapolis, IN |
Indiana repertory Theatre |
| Munich, Germany |
Tollwood Festival |
| Berlin, Germany |
Admiralspalast |
| St. Cloud, MN |
Paramount Theatre |
| Red Wing, MN |
Sheldon Theatre |
| Atlanta, GA |
Georgia Ensemble Theatre |
| Brainerd, MN |
Central Lakes College Theatre |
| Duluth, MN |
Mitchell Auditorium |
*Longest running show at Music Box Theatre (April 3, 1996 - April 27, 2008)
**Longest continuously running show in San Diego (January 14, 1998-February 17, 2008)
How We Operate
Triple Espresso Company was formed to be a parent company for all productions of Triple Espresso—a highly caffeinated comedy. The performers are cast and trained by the original director and the authors, then assigned to the various touring and resident shows across the globe. Currently, more than thirty performers are trained to play the roles of Maxwell, Butternut and Bean.
All booking, marketing, production, casting and artistic functions are conducted out of the Minneapolis, Minnesota headquarters. With the three original writers/performers, the director and the producer as the management team, the Minneapolis staff oversees all aspects of each engagement, and there have been many. Triple Espresso has played in 35 North American markets along with acclaimed engagements in seven Ireland cities and London's West End.
If you have questions or would like to discuss booking opportunities, please contact Triple Espresso President and Executive Producer Dennis Babcock.
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